Indian Naïve Artists

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With this exhibition « Indian Naïve Artists » (March 21st - June 30th 2002) the Museum broadened its horizons and embraced regions which, until now, had not been included in the original collection. Here is an invitation to discover the richness of a culture, its rites and customs.

Spreading from the foothills of the Himalyas to the Pakistan border, "Patachitra" is an ancient form of art, which -despite the impact of modernity- is still practised, mostly by self-taught artists in rural areas.

Painted on paper, cloth or parchment rolls, Patachitra were originally made using mineral or vegetable and plant pigments, with pure primary colours dominating. Unrolled, some extend to a length of three metres. They are divided into different scenes which tell a story. According to custom, they depict numerous legendary adventures (mythical and historical) drawn from the religious and the secular. Some also illustrate everyday life scenes. The vibrancy of the figures is akin to the aesthetics of Naïve Art through the accuracy of detail and brilliance of colour. These "scroll-paintings" had no market value : They remained in the possession of the minstrels who took them from village to village, scrolling and inscrolling them many times a day, in order to sing their stories.

Patachitra are often the only precious possessions of a population which is still partly nomad. The exhibition presents a series of Patachitra created during the last ten years in the remote villages of the Bihar region, where ancestral tradition of entirely hand painted parchment rolls persists. Bihar, India’s second most populous state but also its poorest, most backward region, suffers from a financial and social situation which contrasts sharply with its glorious past ; thus the promotion of this form of art is essential, from a historical, cultural and educational point of view.

Among the religious themes presented in the exhibition is the Ramayana Epic (see right), one of the two classical Indian epics along with Mahâbhârata. This seven-book and 48000-verse poem is said to have been composed at the beginning of the present era ; it recounts the adventures of the ‘enchanting’ Rama, exiled to the forest with his brother Lakshaman and wife Sita, where they encounter various demons and animals.

Patachitra "Histoires du Ramayana"
"Patachitra", Stories from Ramayana, anonymous artist, natural pigments, 58.6x8.2in.

The Patachitra French Revolution (see below) shows a somewhat stereotypical picture with guillotines, fleeing monarchs, and Marianne representing Justice. The human figures, however, are resolutely Indian ! The artist transposes this episode of French history into an Indian context.

Indian patachitra "French Revolution" (detail)
Patachitra French Revolution (detail)
Anonymous artist, natural pigments

A series of gouaches by Indian female artist Pragatti are painted on cloth or long, narrow paper rolls, and represent village life, wedding scenes and also the Ramayana Epic and divinities such as Ganesh, Krisna and Durga.


A large part of the exhibition is dedicated to Naina Kanodia, self-taught Indian artist who is now internationally renowned. Kanodia depicts the people of her country and their everyday life in a satirical way, with a remarkable attention to detail. Indian religious tradition is strongly present in her canvases.
Naina Kanodia, "Willington Club"
Naina Kanodia, Willington Club, oil on canvas, 30.1x36in.

Her oil painting entitled Yatra depicts the God Shiva, the destroyer (one of the three supreme Hindu gods, along with Brahma, the creator, and Vishnu, the preserver) and Ganesh the elephant god (eldest son of Siva and popular idol of the Indians). Traditionally, Shiva is represented with a third eye in the middle of his forehead which symbolizes ultimate knowledge.

Kanodia attempts to express the bipolarity between occidental influence and attachment to traditional culture, characteristic of contemporary Indian society. For instance, Willington Club is an obvious critique of the English influence on Indians.

Indian naïve artists develop their own aesthetics which are born of a cultural mix of modernity and tradition. Their works are representative of a country situated at the crossroads of East and West.


 Indian arts and crafts in the Museum Gift Shop