An Atlantic Crossing

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Exhibition 4th May–5th September 2004


Bruno Paladin, "Good Hope" ou "Et vogue le bateau", 1981
Bruno PALADIN (Croatia), Good Hope, 1981, oil on canvas, 60x80cm

Without actually representing an artistic movement in itself, Naïve Art can be found worldwide. It is not confined to the countries of western europe which have a renowned and longstanding artistic tradition. It also appears in regions which have more recently developped an artistic culture such as Scandinavia, the Slavonic States, ex-Yugoslavia and in both Latin America and the United States. The wide range of subject matter and techniques used by naïve artists prove that this art form has no frontiers.

As a general rule, Naïve Art is the domain of self-taught amateurs, retired people, craftsmen, etc. who have taken up an artistic activity almost by chance. For this reason they refuse to be influenced by external factors such as the period in which they live or hereditary customs and artistic conventions. At first glance, works which can claim membership of the Naïve Art community feature identical characteristics. They convey similar creative processes and show numerous analogies in expression and sources of inspiration found within representational artistic traditions. Drawn from personal sensitivities, the naïve artists’ approach to creation rules out any development of general aesthetic theory.

It can be noted, however, that Naïve Art presents specificities which vary from country to country ; personal identities in colour and style which characterize different nation states or even certain communities bound together by geographic, social or cultural conditions.

In order to better understand the various characteristics of Naïve Art throughout the world, our exhibition, « An Atlantic Crossing » takes us on a journey of discovery. Starting in Europe, we will embark on a sea voyage across the Big Pond to explore the Americas.

 Virtual tour of the Exhibition